Saturday, April 23, 2016
Saturday, April 16, 2016
Benjamin Gardner at Unity Gallery
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| from the Ancestral Songs series, 2015-2016, acrylic, flashe, and ink on panel |
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| detail of above |
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| detail |
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| detail |
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| detail |
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| from the Lesser Be Sainted (Westing) series, 2016, acrylic, flashe, and ink on canvas |
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| from the Incorporeal North Series, 2016, wood, plywood, acrylic, and latex |
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| alternate view |
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| from the Ancestral Songs series, 2015-2016, acrylic, flashe, and ink on panel |
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| from the Ancestral Songs series, 2015-2016, acrylic, flashe, and ink on panel |
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| Builder of Abandoned Places (As the Sun Rises), 2016, wood, plaster, acrylic, latex, ink, paper, cardboard |
AFTER WHENEVER
April 8 - May 19, 2016 unitygalleryiowa.com benjaminagardner.com
Unity Gallery
Maharishi University of Management
Fairfield, IA 52557
Saturday, April 9, 2016
If Color Could Kill
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| Patrick Berran, Untitled, 2015, acrylic and toner on panel, 20 x 16 inches |
IF COLOR COULD KILL
New Painting From New York City
Curated by Jeff Frederick
April 4-29, 2016 ifcolorcouldkill.com
Paul Behnke
Trudy Benson
Patrick Berran
Robert Otto Epstein
Keltie Ferris
Brooke Moyse
Gary Petersen
Craig Taylor
Abstract painting is a color delivery device. But when does color become dangerous, even homicidal? If Color Could Kill imagines a world better than the one we live in: one where color is power. The works of these eight painters say Yes in a way that is louder than everyday life. Modern pigments free the painter from the boring colors of nature. This color is too strong to be safely observed by the naked eye, so intense it overwhelms and electrifies our fragile, vulnerable humanity.
Salena Gallery, LIU (Long Island University)
Corner of Flatbush and DeKalb Avenues
Downtown Brooklyn, NY
Paul Behnke
Trudy Benson
Patrick Berran
Robert Otto Epstein
Keltie Ferris
Brooke Moyse
Gary Petersen
Craig Taylor
Abstract painting is a color delivery device. But when does color become dangerous, even homicidal? If Color Could Kill imagines a world better than the one we live in: one where color is power. The works of these eight painters say Yes in a way that is louder than everyday life. Modern pigments free the painter from the boring colors of nature. This color is too strong to be safely observed by the naked eye, so intense it overwhelms and electrifies our fragile, vulnerable humanity.
Salena Gallery, LIU (Long Island University)
Corner of Flatbush and DeKalb Avenues
Downtown Brooklyn, NY
Sunday, April 3, 2016
Sister Corita Kent at San Antonio Museum of Art
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| Life Is a Complicated Business, 1967, screenprint, 22 x 23 inches |
February 13 – May 8, 2016
San Antonio Museum of Art
200 West Jones Avenue
San Antonio, Texas 78215 samuseum.org corita.org
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